Ali McCann

  • SELECTED WORKS & EXHIBITIONS
    • SLIPPERY IMAGES (2023)
    • JOY (2022)
    • O JENNY G (2023)
    • SOCIAL (2022)
    • TREE LOG PAPER BOOK (2022)
    • NOT FOR THE SAKE OF SOMETHING MORE (2021)
    • HAVING AN EXPERIENCE/ ENERGY ORGANISATION (2019)
    • Οι νέοι (2019)
    • MASKS FOR MAGICIANS (2018)
    • DIMINISHED KNOWLEDGE (2018)
    • POLYTECHNIC (2018)
    • AN INTRODUCTION TO LIMINAL AESTHETICS (2017)
    • TOWARD NEW KNOWLEDGE (2017)
    • THROWING OFF THE HUMP (2017)
    • DISTANCE ARRANGEMENT (2016)
    • Ali McCann | Support Material
  • ABOUT
  • CV
  • CONTACT
    • SLIPPERY IMAGES (2023)
    • JOY (2022)
    • O JENNY G (2023)
    • SOCIAL (2022)
    • TREE LOG PAPER BOOK (2022)
    • NOT FOR THE SAKE OF SOMETHING MORE (2021)
    • HAVING AN EXPERIENCE/ ENERGY ORGANISATION (2019)
    • Οι νέοι (2019)
    • MASKS FOR MAGICIANS (2018)
    • DIMINISHED KNOWLEDGE (2018)
    • POLYTECHNIC (2018)
    • AN INTRODUCTION TO LIMINAL AESTHETICS (2017)
    • TOWARD NEW KNOWLEDGE (2017)
    • THROWING OFF THE HUMP (2017)
    • DISTANCE ARRANGEMENT (2016)
    • Ali McCann | Support Material
  • ABOUT
  • CV
  • CONTACT
  A slide. A slip. For a fleeting moment, in that split-second of instability, you are forced to make sense of the difference between your perception of the scene and its reality. Unexpected, shocking, even hilarious, the slip creates a brief, someti
       
     
SELECTED WORKS & EXHIBITIONS / SLIPPERY IMAGES (2023)
Ali_McCann_Troubles Melt Like Lemon Drops_2022.jpg
       
     
SELECTED WORKS & EXHIBITIONS / JOY (2022)
  O Jenny G , 2023  In a 1995 essay, the art historian Jennifer A. González coined the term ‘autotopography’ to describe how the accumulation of personal objects – heirlooms, mementoes, travel souvenirs and photographs – become physical extensions of
       
     
SELECTED WORKS & EXHIBITIONS / O JENNY G (2023)
SOCIAL_PROMO.jpg
       
     
SELECTED WORKS & EXHIBITIONS / SOCIAL (2022)
  Making Light of this dull, dull, day,  2022
       
     
SELECTED WORKS & EXHIBITIONS / TREE LOG PAPER BOOK (2022)
Ali_McCann_The Alps_2020.jpg
       
     
SELECTED WORKS & EXHIBITIONS / NOT FOR THE SAKE OF SOMETHING MORE (2021)
  ST FRANCIS , Temporary warehouse site, Collingwood, Melbourne  19.10.2019  Over a number of weeks I restaged and documented selected photographic works from recent solo and group shows in a disused (and since demolished) warehouse in Collingwood, M
       
     
SELECTED WORKS & EXHIBITIONS / HAVING AN EXPERIENCE/ ENERGY ORGANISATION (2019)
  Faye , 2019     Οι νέοι   Gertrude Contemporary, Melbourne  08.02.2019 – 23.03.2019   Οι νέοι  is a photographic exploration of adolescence, nostalgia and the aesthetics of pedagogy. The Greek title, derived from Hannah Arendt’s seminal essay, ‘The
       
     
SELECTED WORKS & EXHIBITIONS / Οι νέοι (2019)
Ali McCann_The Importance of Nature.jpg
       
     
SELECTED WORKS & EXHIBITIONS / MASKS FOR MAGICIANS (2018)
 Diminished Knowledge, 2018  Patinated bronze, 18.5 x 9.5 x 4.5 cm
       
     
SELECTED WORKS & EXHIBITIONS / DIMINISHED KNOWLEDGE (2018)
  Polytechnic   Tristian Koenig, Melbourne  15.03.2018 – 14.04.2018  Installation images courtesy of Tim Gresham
       
     
SELECTED WORKS & EXHIBITIONS / POLYTECHNIC (2018)
  Untitled 1 , 2017
       
     
SELECTED WORKS & EXHIBITIONS / AN INTRODUCTION TO LIMINAL AESTHETICS (2017)
       
     
SELECTED WORKS & EXHIBITIONS / TOWARD NEW KNOWLEDGE (2017)
  Throwing Off The Hump   Kings Artist Run, Melbourne  08.04.2017 – 29.04.2017   Deriving its title from a labour-efficient potting technique,  Throwing Off the Hump  is a multi-channel video installation that ruminates on the Sisyphean burden of mem
       
     
SELECTED WORKS & EXHIBITIONS / THROWING OFF THE HUMP (2017)
A2 POT image.jpg
       
     
SELECTED WORKS & EXHIBITIONS / DISTANCE ARRANGEMENT (2016)
       
     
SELECTED WORKS & EXHIBITIONS / Ali McCann | Support Material