Ali McCann

  • SELECTED WORKS & EXHIBITIONS
    • SLIPPERY IMAGES (2023)
    • JOY (2022-2023)
    • O JENNY G (2023)
    • SOCIAL (2022)
    • SONGS & PICTURES (2022 - 2023)
    • NOT FOR THE SAKE OF SOMETHING MORE (2021)
    • HAVING AN EXPERIENCE/ ENERGY ORGANISATION (2019)
    • Οι νέοι (2019)
    • MASKS FOR MAGICIANS (2018)
    • DIMINISHED KNOWLEDGE (2018)
    • POLYTECHNIC (2018)
    • AN INTRODUCTION TO LIMINAL AESTHETICS (2017)
    • TOWARD NEW KNOWLEDGE (2017)
    • THROWING OFF THE HUMP (2017)
    • DISTANCE ARRANGEMENT (2016)
  • ABOUT
  • CV
  • CONTACT
    • SLIPPERY IMAGES (2023)
    • JOY (2022-2023)
    • O JENNY G (2023)
    • SOCIAL (2022)
    • SONGS & PICTURES (2022 - 2023)
    • NOT FOR THE SAKE OF SOMETHING MORE (2021)
    • HAVING AN EXPERIENCE/ ENERGY ORGANISATION (2019)
    • Οι νέοι (2019)
    • MASKS FOR MAGICIANS (2018)
    • DIMINISHED KNOWLEDGE (2018)
    • POLYTECHNIC (2018)
    • AN INTRODUCTION TO LIMINAL AESTHETICS (2017)
    • TOWARD NEW KNOWLEDGE (2017)
    • THROWING OFF THE HUMP (2017)
    • DISTANCE ARRANGEMENT (2016)
  • ABOUT
  • CV
  • CONTACT
  A slide. A slip. For a fleeting moment, in that split-second of instability, you are forced to make sense of the difference between your perception of the scene and its reality. Unexpected, shocking, even hilarious, the slip creates a brief, someti
       
     
SELECTED WORKS & EXHIBITIONS / SLIPPERY IMAGES (2023)
Ali_McCann_Troubles Melt Like Lemon Drops_2022.jpg
       
     
SELECTED WORKS & EXHIBITIONS / JOY (2022-2023)
  O Jenny G , 2023  In a 1995 essay, the art historian Jennifer A. González coined the term ‘autotopography’ to describe how the accumulation of personal objects – heirlooms, mementoes, travel souvenirs and photographs – become physical extensions of
       
     
SELECTED WORKS & EXHIBITIONS / O JENNY G (2023)
SOCIAL_PROMO.jpg
       
     
SELECTED WORKS & EXHIBITIONS / SOCIAL (2022)
  Songs & Pictures  is a study of photography’s history, desire, and the tensions between the male and female gaze.  My image making methodology involves appropriating images of young, conventionally attractive women, sourced from my late grandfa
       
     
SELECTED WORKS & EXHIBITIONS / SONGS & PICTURES (2022 - 2023)
Ali_McCann_The Alps_2020.jpg
       
     
SELECTED WORKS & EXHIBITIONS / NOT FOR THE SAKE OF SOMETHING MORE (2021)
  ST FRANCIS , Temporary warehouse site, Collingwood, Melbourne  19.10.2019  Over a number of weeks I restaged and documented selected photographic works from recent solo and group shows in a disused (and since demolished) warehouse in Collingwood, M
       
     
SELECTED WORKS & EXHIBITIONS / HAVING AN EXPERIENCE/ ENERGY ORGANISATION (2019)
  Faye , 2019     Οι νέοι   Gertrude Contemporary, Melbourne  08.02.2019 – 23.03.2019   Οι νέοι  is a photographic exploration of adolescence, nostalgia and the aesthetics of pedagogy. The Greek title, derived from Hannah Arendt’s seminal essay, ‘The
       
     
SELECTED WORKS & EXHIBITIONS / Οι νέοι (2019)
Ali McCann_The Importance of Nature.jpg
       
     
SELECTED WORKS & EXHIBITIONS / MASKS FOR MAGICIANS (2018)
 Diminished Knowledge, 2018  Patinated bronze, 18.5 x 9.5 x 4.5 cm
       
     
SELECTED WORKS & EXHIBITIONS / DIMINISHED KNOWLEDGE (2018)
  Polytechnic   Tristian Koenig, Melbourne  15.03.2018 – 14.04.2018  Installation images courtesy of Tim Gresham
       
     
SELECTED WORKS & EXHIBITIONS / POLYTECHNIC (2018)
  Untitled 1 , 2017
       
     
SELECTED WORKS & EXHIBITIONS / AN INTRODUCTION TO LIMINAL AESTHETICS (2017)
       
     
SELECTED WORKS & EXHIBITIONS / TOWARD NEW KNOWLEDGE (2017)
  Throwing Off The Hump   Kings Artist Run, Melbourne  08.04.2017 – 29.04.2017   Deriving its title from a labour-efficient potting technique,  Throwing Off the Hump  is a multi-channel video installation that ruminates on the Sisyphean burden of mem
       
     
SELECTED WORKS & EXHIBITIONS / THROWING OFF THE HUMP (2017)
A2 POT image.jpg
       
     
SELECTED WORKS & EXHIBITIONS / DISTANCE ARRANGEMENT (2016)